Vol 7, No 7 (2022)

Articles

• Using the ADDIE Model to Develop English Listening Online Course

  Xinran Su (Author)

  p1

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• Analysis of Speech Act “Greeting” in Film Love Actually

  Xiangting Xu (Author)

  p11

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• A Study on the Development of Art Derivatives in Chinese Museums —Take the Beijing Palace Museum as an Example

  Yuhang Xiang (Author)

  p17

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• Research on Personal Brand Established on the Short Video Platform From the Perspective of Dramaturgy Theory

  Jiahui Li (Author)

  p29

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• Announcement of Retraction

  p33

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• Investigation on the Integration of Chinese Traditional Culture Into Kindergarten Curriculum

  Jingnan Zhang, Mengyao Wang (Author)

  p38

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• Postwar Trauma and Neglected Culture in Samuel Beckett‟s Endgame

  Yuan Xu (Author)

  p47

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• Cross-Cultural Communication Practices for Chinese Films From Speaking Into the Air

  Yujie Lu (Author)

  p52

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• The Influence of Mongol Invasion in the Kamakura Period on the Recession of the Kamakura Shogunate

  Geersiqin Cheng (Author)

  p56

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• Expression of Hong Kong Directors in the Chinese Main-Melody Film: The Artistic Propaganda

  Xin Lu (Author)

  p61

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• Jeff Wall: The Connection Between Photography and Cinematography

  Tianjiao Fang (Author)

  p65

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• Research on the Core Accomplishment of Music Creative Practice Under the Background of the New Curriculum Standard—The

  Weichen Zhang, Yuanyuan Guo (Author)

  p71

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• Contemporary Art on Realistic Subjects in the New Era of Lacquer Painting

  Zhihao Ye, Xinyun Jiao (Author)

  p75

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• How Do Global Migration Patterns Present New Challenges for Nation States?

  Xie Tang (Author)

  p81

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