Expression of Hong Kong Directors in the Chinese Main-Melody Film: The Artistic Propaganda
DOI:
https://doi.org/10.20849/ajsss.v7i7.1246Keywords:
Hong Kong directors, Chinese main-melody film, propagandaAbstract
By analysing the main-melody film works of Hong Kong directors and the understandings and attitudes of audiences in both mainland China and Hong Kong toward these films, it is hoped that this research will contribute to a deeper understanding of the particularity of Hong Kong people’s national identity. This would provide a significant opportunity to advance the understanding of Hong Kong’s status and value in contemporary China and the world. Furthermore, this study will offer some critical insights into the distribution of Hong Kong films in mainland China.
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© Asian Journal of Social Science Studies. The copyright for all articles published in this journal is retained by the authors. All articles are published under the terms of the Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0). This license permits use, distribution, and reproduction in any medium for non-commercial purposes only, provided the original work is properly cited.
