Teaching Humanitarian Diplomacy in an Age of Politicised Aid
DOI:
https://doi.org/10.20849/jed.v10i3.3029Abstract
Humanitarian diplomacy has matured into a central field of international relations positioned between ethical principle and pragmatic negotiation. This paper integrates a conceptual and historical review of the field with a qualitative documentary review of the politicisation of aid and the ethics of neutrality during the Gaza conflict from 2023 to 2025. Six dominant models are assessed, namely the neutrality framework of the International Committee of the Red Cross, the humanitarian, development and peace nexus, state-centric diplomacy, nonstate advocacy, principled pragmatism, and hybrid cooperation. None proves individually sufficient, and effective practice requires context-sensitive hybridity. The Gaza evidence indicates that neutrality has shifted from a fixed principle into a negotiated and digitally mediated ethical practice shaped by asymmetrical power, donor conditionality and information warfare. The paper argues that this shift exposes a capability deficit rather than merely a doctrinal one, since hybridity and reflexivity cannot be improvised under fire but must be taught, assessed and institutionally supported. It therefore advances humanitarian education development as the missing infrastructure of humanitarian diplomacy, proposing a competency framework, a tiered curriculum architecture and a localisation-first delivery model, while treating education itself as a protected humanitarian object whose destruction eliminates the local capacity on which future humanitarian diplomacy depends.
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Copyright (c) 2026 Eric C. K. Cheng (Author)

This work is licensed under a Creative Commons Attribution 4.0 International License.
© Journal of Education and Development. The copyright for all articles published in this journal is retained by the authors. All articles are published under the terms of the Creative Commons Attribution 4.0 International License (CC BY 4.0). This license permits use, distribution, and reproduction in any medium, whether commercial or non-commercial, provided the original work is properly cited.
